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Posts Tagged ‘Vincent van Gogh’

Ridiculed during his own lifetime, Vincent van Gogh’s paintings have added transcendant beauty to ours.

After struggling with mental illness his entire adult life, he died at the age of 37 of a gun shot wound, thought to be self-inflicted.

He is now recognized as one of the most influential artists of all time.

I put my heart and soul into my work, and have half lost my mind in the process.  Vincent van Gogh

Starry Night

The Starry Night, 1889.  Collection of The Museum of Modern Art, New York

Irises

Irises, 1889.  Collection of The J. Paul Getty Museum, Los Angeles

Sower with Setting Sun

Sower with Setting Sun, 1888.  Collection of Foundation collection E.G. Buhrle, Zurich

Cafe Terrace at Night

Cafe Terrace at Night, 1888.  Collection of Rijkmuseum Kroller-Muller, Otterlo

Peasant Woman

Peasant Woman, 1885.  Collection of Foundation collection E.G. Buhrle, Zurich

The Red Vineyard

Red Vineyards at Arles, 1888.  Collection of Pushkin Museum of Fine Art, Moscow

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After taking painting lessons from the master Impressionist artist Camille Pissarro, Paul Gauguin resigned from his prosperous brokerage businsss to devote his life to painting.  His work did not sell and he and his family were reduced to poverty, but Gauguin felt called to be a great artist, and he never abandoned his painting.   During his lifetime he realized no artistic success or recognition.

Spending much of his adult life painting in Tahiti and the Marquesas Islands, Gauguin developed a deeply personal style that was a complex combination of Eastern and Western themes, primitive life and brilliant color.

His massive masterpiece Where Do We Come From?  What are We?  Where Are We Going? is now considered to be one of the greatest artistic and philosphical statements in Western history.

 
Where Do We Come From? What are We? Where Are We Going?  1879-98
Collection of Museum of Fine Arts, Boston

Spirit of the Dead Watching, 1892
Collection of Albright -Knox Art Gallery, Buffalo, New York
The Vision of the Sermon (Jacob and the Angel), 1888
Collection of National Gallery of Scotland, Edinburgh

Ia Orana Maria, 1891
Collection of Metropolitan Museum of Art, New York

Paul Gauguin is classified as a post-Impressionist, but what exactly is post-Impressionism?  It is not an artistic style, but a term applied to a group of painters who worked in the late 19th and early 20th centuries. 

These artists retained the shimmering light effects and outdoor palette of the Impressionists (Monet, Renoir, Pissarro), but they preferred more formal compositions, believing the Impressionists neglected too many of the traditional elements of picture-making in their focused recording of the fleeting impressions of light and color. 

Claude Monet, Impression Sunrise, 1872
Collection of Musee Marmottan Monet, Paris

Claude Monet’s Impression Sunrise (above) gave name to the experimental group of Impressionist artists who chose color and light as the subjects of their paintings.  Their singular goal of studying and recording plein air atmospheric changes was too simplistic for the following generation of post-Impressionists .

Eventually the achievements of the post-Impressionists would give birth to modern abstraction.  Thomas Hoving, former Director of the Metropolitan Museum of Art writes:

To me it’s more accurate to call the [post-Impressionist] period pre-Modern.  The last quarter of the 19th century and the first years of the 20th was a time when artistic experimentation was rampant, and a bewildering number of styles were invented.  In that sense, the period is a mirror of contemporary times.

In addition to Paul Gauguin, other post-Impressionist artists include Vincent van Gogh, Georges Seurat and Paul Cezanne (who is considered to be the father of Modern Art).

Vincent van Gogh, The Night Cafe, 1888
Collection of Yale University Art Gallery, New Haven, Connecticut

Georges Seurat, Sunday Afternoon on the Island of La Grande Jatte, 1884-86
Collection of Art Institute of Chicago

Paul Cezanne, The Peppermint Bottle, c. 1893
Collection of National Gallery of Art, Washington DC
 
SOURCES:
Art in Our Times: A Pictorial History 1890-1980, Peter Selz, 1981.
Mainstreams of Modern Art, John Canaday, 1981.
Gardner’s Art Through the Ages, Seventh Edition, Louise Gardner, 1980.
Art for Dummies: A Reference for the Rest of Us!, Thomas Hoving, 1999.
(Hey, don't diss the Dummies series.)

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On June 3rd, my quest began to develop a new jewelry collection based upon a unique idea: casting images of historic masterpiece paintings in resin and incorporating them into jewelry.  As I quickly discovered, though, resin is a bear to work with.  The past 3 months, I have honestly felt like Thomas Edison inventing the light bulb.  Try, fail.  Try again, fail.  Try again, fail.  Try again, fail.  (And on and on and on.)  It didn’t take me 10,000 attempts to get it right (like Edison and his light bulb), but it did take hundreds. 
 
This isn’t just a new jewelry collection.  It is a labor of love.  I am passionate about art history, and it has been a thrill to revisit these images I met in my college art history classes.  I majored in studio art, but I loved the required art history courses so much, I went back for a semester after graduation to take a full class load of upper division art history.  So, needless to say, art is a passion, and this new jewelry collection has become a passion, too.
 
Wonderfully, as I have been wearing collection samples around town during these past months (product testing and development), I have heard the following comment (almost verbatim) at least 10 times:  “I LOVE your necklace.  I’ve never seen anything like it!”  Music to my ears.
 
Each resin cube takes 25 steps and 1 week to create.  So, anyone who wears this new Lisa Confetti collection can be certain she is wearing something that is completely unique and very special.  And I’m certain she will also get the compliment, “I LOVE your necklace!  I’ve never seen anything like it!”  And when you are asked where you got it, I hope you will say, “At www.LisaConfetti.com, of course!”
 
(By the way, it is important to note that these images are legally reproduced.  US copyright law is evolving and complex, but bottom line, photographic images of any painting created before 1923 are in the “public domain” and belong to everyone.)
 
Happy happy,
Lisa
 
 
                          
 

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